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Paramount+ may have been one of the last major streaming services to market, but that certainly doesnโt mean you should consider them last on your list of streaming subscriptions. In addition to bringing the best of CBS, Comedy Central, BET, and Nickelodeon, Paramount+ boasts a robust library of movies fit for a great night in. The bulk of the options comes from the legendary Hollywood studio indicated in the name, but the platform also contains many great indie and mainstream options alike available through licensing.
So whether thereโs no new episode of a Taylor Sheridan show ready for viewing or youโve burned through all 19 seasons of NCIS available to stream (no judgment if so!), Paramount+ has a movie for your mood. Dig into legendary franchises like Star Trek or Mission: Impossible. Catch up on blockbusters like A Quiet Place and Top Gun: Maverick. Discover a classic comedy like Beverly Hills Cop and Heaven Can Wait. Here are 50 such options for you on Paramount+, updated for January 2025.
RELATED: New On Paramount+ January 2025, Plus Whatโs Coming Next
โThe Wolf of Wall Streetโ (2013)

DIRECTOR: Steven Spielberg
STARS: Leonardo DiCaprio, Tom Hanks, Christopher Walken
RATING: PG-13
Leonardo DiCaprioโs career has been laser-focused on shedding the โTiger Beatโ teen idol trappings that followed him after Titanic, so much so that he almost never allows himself to have fun on-screen in the name of being taken seriously. But every once in a while, he finds an excuse to cut loose like he does in Catch Me If You Can. Like a mid-century forebearer to todayโs audacious scammers, DiCaprioโs Frank Abagnale Jr. cuts quite a trail of fraud and deception as he cons his way into three different professions with the FBI hot on his trail. Heโs forging checks, breaking hearts, and proving irresistibly watchable.
โHell or High Waterโ (2016)

DIRECTOR: David Mackenzie
STARS: Chris Pine, Ben Foster, Jeff Bridges
RATING: R
โThree tours in Iraq but no bailout for people like us,โ reads graffiti sprayed against a wall in the opening scene of Hell or High Water, setting a powerful tone for this unique twist on the cops and robbers tale. This thrilling neo-Western follows the twinned journeys of two brothers holding up banks to save their familyโs ranch and two Texas Rangers hunting them down. Itโs a provocative, pulse-pounding examination of who represents and defends justice in a contemporary world.
โThe Talented Mr. Ripleyโ (1999)

DIRECTOR: Anthony Minghella
STARS: Matt Damon, Jude Law, Gwyneth Paltrow
RATING: R
The squeaky-clean โboy next doorโ image Matt Damon has cultivated for himself is fascinating because itโs so at odds with the roles heโs chosen. Shortly after Good Will Hunting, he immediately undercut that loveable underdog by playing the enigmatic striver at the heart of The Talented Mr. Ripley. Damonโs Tom Ripley will stop at nothing to have what comes effortlessly to Jude Lawโs high society slacker Dickie Greenleaf. But does he want to be Dickie, replace Dickie, or have Dickie? Therein lies the exquisite mystery powering the filmโs immaculate intrigue.
โMission: Impossible โ Falloutโ (2018)

DIRECTOR: Christopher McQuarrie
STARS: Tom Cruise, Henry Cavill, Ving Rhames
RATING: PG-13
By installment six of the Mission: Impossible franchise, theyโve got this thing running like a well-oiled machine. No series today better understands how to deliver on the promise of a great action set-piece, and the death-defying stuntwork of Tom Cruise adds a palpable sense of danger that elevates them above mere CGI spectacle. Fallout also delivers for longtime fans of the series by putting Ving Rhamesโ sidekick Luther front and center.
โJackass Foreverโ (2022)

DIRECTOR: Jeff Tremaine
STARS: Johnny Knoxville, Steve-O, Chris Pontius
RATING: R
No need to see any previous Jackass to appreciate the new Jackass Forever. All you need to know is that the boys are back, crazier and older than ever, to do some absolutely bonkers stunts. Sure, maybe you can watch these types of shenanigans on YouTube now, but thereโs something to be said for the tremendous amount of planning that goes into ensuring enough camera capture their hijinks from every necessary angle. Itโs a guaranteed gut-buster of a watch.
โHow to Lose a Guy in 10 Daysโ (2003)

DIRECTOR: Donald Petrie
STARS: Matthew McConaughey, Kate Hudson, Adam Goldberg
RATING: PG-13
At the height of the โMcConaissance,โ it became popular to trash Matthew McConaugheyโs participation in the kind of early-โ00s studio rom-coms that helped make him a household name. Maybe itโs time for the pendulum to swing back a little bit, though, because a lot of those movies are actually quite fun! The peak might be How to Lose a Guy in 10 Days, where McConaughey gets to ooze easygoing charm as heโs the unwitting mark in a plot by Kate Hudsonโs magazine writer to drive him batty with her behavior.
โPain & Gainโ (2013)

DIRECTOR: Michael Bay
STARS: Mark Wahlberg, Dwayne Johnson, Anthony Mackie
RATING: R
Itโs understandable to have limited toleration for โBayhem,โ but the bombastic director finds a very fitting story for his maximalist style in Pain & Gain. As some swole bodybuilders get in way over their heads in some sketchy financial schemes, Bayโs over-the-top sensibilities perfectly convey the absurdity of these larger-than-life men. While the allegory does get a little bit muddled under all the stylistic flourishes and unfocused storytelling, thereโs more than just a kernel of an interesting take on the roided-out state of the American Dream. If you want enough thoughtfulness to elevate your action movie night without overwhelming it, hereโs your pick.
โTropic Thunderโ (2008)

DIRECTOR: Ben Stiller
STARS: Ben Stiller, Jack Black, Robert Downey, Jr.
RATING: R
You donโt need to have seen either Apocalypse Now or Hearts of Darkness, the documentary about its disastrous production, to appreciate Ben Stillerโs deliriously funny Hollywood satire Tropic Thunder. Sure, itโs very specifically a parody of the masochistic delusions of artists trying to make a self-important war epic. But the film splinters off into plenty of trenchant comedy about the state of the film business told in broadly recognizable strokes. (And donโt worry, no one is getting canceled for the use of blackface here.)
โThe Addams Familyโ (1991)

DIRECTOR: Barry Sonnenfeld
STARS: Anjelica Huston, Raul Julia, Christina Ricci
RATING: PG-13
If you have a taste for something spooky but want to be able to sleep tonight, then The Addams Family might be just what the doctor ordered. This wickedly funny adaptation of the โ60s television show recaptures its sense of the macabre without resorting to gore or jump scares. Itโs great fun for (most of) the family as this oddball assortment of creepy characters in the Addamsโ orbit get up to all sorts of kooky, creepy antics.
โThe Naked Gun: From the Files of Police Squad!โ (1988)

DIRECTOR: David Zucker
STARS: Leslie Nielsen, Priscilla Presley, O.J. Simpson
RATING: PG-13
If whatโs aged the worst in your comedy is simply having O.J. Simpson in a supporting role, you probably did something right. The Naked Gun sends up the police procedural in uproarious fashion as Leslie Nielsenโs bumbling Detective Frank Drebin attempts to foil an assassination plot on Queen Elizabeth II. Beyond its iconic lines and over-the-top humor, donโt miss out on just how jam-packed each shot is with visual comedy. Zucker knew how to hide real delights in the background for people willing to look, even before people were two-screening their viewing of movies.
Watch The Naked Gun: From the Files of Police Squad! on Paramount+
โThe Truman Showโ (1998)

DIRECTOR: Peter Weir
STARS: Jim Carrey, Laura Linney, Ed Harris
RATING: PG
Before the scourge of early-โ00s reality TV warped our brains and โgaslightingโ became a household phrase, The Truman Show felt the tremors of a coming earthquake. Itโs remarkable to watch this movie now and see how perceptive it is about the way humans can buy into a false reality โ and how hard it proves to break out once the inauthenticity is detected. The story of Jim Carreyโs Truman Burbank, a man unaware that heโs living inside a show being broadcast about his own life, is so much more than just a high concept. Itโs an invitation to consider some of the most fundamental questions about existence.
โTop Gunโ (1986)

DIRECTOR: Tony Scott
STARS: Tom Cruise, Val Kilmer, Kelly McGillis
RATING: PG
If you want to understand how Tom Cruise swaggers so confidently, look for the roots in Top Gun. Get past the filmโs thrilling aerial fight sequences and youโll find this jingoistic Reagan-era military actioner makes Cruiseโs cocksure Maverick out to be the coolest cat in town. Itโs a testament to the eraโs supercharged masculinity that Maverick reaps the rewards of his brash bravado (though Quentin Tarantino picked up on some undercurrents running beneath the film).
โInterstellarโ (2014)

DIRECTOR: Christopher Nolan
STARS: Matthew McConaughey, Anne Hathaway, Jessica Chastain
RATING: PG-13
Christopher Nolan is not exactly well-known for his emotionalism, and some bristled at the sentimental streak running through his galactic drama Interstellar. Whether you think love can cut across dimensions or not, you can surely appreciate the methodical craftsmanship of this sci-fi story about a mission to the edges of space to save earth from extinction. Matthew McConaugheyโs crying scene might have its own Know Your Meme page, but within the context of the movie, it works given the personal and global stakes underlining the moment.
โArrivalโ (2016)

DIRECTOR: Denis Villeneuve
STARS: Amy Adams, Jeremy Renner, Forest Whitaker
RATING: PG-13
โI used to think this was the beginning of your story,โ begins Amy Adamsโ Dr. Louise Banks at the opening of Arrival. Itโs a perfect and poetic opening to a film that gently asks us to reconsider the very notion of time as an ordering principle of human life. Denis Villeneuveโs unconventional alien invasion movie is as brainy as it is beautiful and bold. Itโs a startling thing to encounter: a movie that asks us not to fear unknown arrivals but to learn from them.
โBeverly Hills Copโ (1984)

DIRECTOR: Martin Brest
STARS: Eddie Murphy, Judge Reinhold, John Ashton
RATING: R
The high-water mark for the fish-out-of-water comedy (pun fully intended) may still be Beverly Hills Cop. This blockbuster hit featuring Eddie Murphy at his brashest transplants a streetwise Detroit police officer in the posher environs of Beverly Hills to solve the murder of his friend. The gags arising from the clash of cultures still amuse, as does Murphyโs outsized comic persona poured into the character of Axel Foley.
โAnnihilationโ (2018)

DIRECTOR: Alex Garland
STARS: Natalie Portman, Jennifer Jason Leigh, Tessa Thompson
RATING: R
Alex Garland knows how to make sci-fi for the discerning viewer. The filmmaker followed up his triumphant Ex Machina with the beguiling Annihilation, maybe the closest thing weโll ever get to a truly avant-garde blockbuster. This tale of four female scientists entering โThe Shimmer,โ a mysterious ethereal realm where an extraterrestrial presence lurks, goes in boldly experimental directions that defy all expectations. Kudos to Garland for getting Paramount to give him enough money to fully realize this singular vision.
โCollateralโ (2004)

DIRECTOR: Michael Mann
CAST: Tom Cruise, Jamie Foxx, Jada Pinkett Smith
RATED: R
A movie set over the course of a single night is bound to get the blood flowing, but few pack the end-to-end tension of Michael Mannโs Collateral. In a pre-Uber LA, Max (Jamie Foxx), a taxi driver trying to make the jump to limousine service, gives five-star service to the passenger from hell. He mucks up the car, yes, but the real danger is from what Tom Cruiseโs Vincent does outside the car as a hitman. As Max becomes chauffeur to Vincentโs murder spree, the stakes ratchet steadily upwards as he becomes an unwitting accomplice to a brutal killer. Mann makes the audience feel trapped in the moment and in the claustrophobic cab space with Vincent, whoโs so terrifying that youโll wish Cruise was doing more serious acting and less action hero.
โChinatownโ (1974)

DIRECTOR: Roman Polanski
STARS: Jack Nicholson, Faye Dunaway, John Huston
RATING: R
They donโt say this is the best script ever written for nothing. Chinatown is a masterful slow burn of suspense as Jack Nicholsonโs private eye Jake Gittes tracks down a case that balloons beyond his wildest imagination. As investigating a cheating spouse uncovers a vast conspiracy of water theft in Los Angeles, the film envelops us in a miasma of fatalistic resignation. Never does it feel so satisfying to be so down on the state of the world.
โForrest Gumpโ (1994)

DIRECTOR: Robert Zemeckis
STARS: Tom Hanks, Sally Field, Robin Wright
RATING: PG-13
Forrest Gump catches a lot of flak for being the movie that beat Pulp Fiction and The Shawshank Redemption for Best Picture, but this film deserves better than to be your Oscars villain. Most people take this American odyssey far too literally, missing the complexity lurking just underneath the โliving historyโ faรงade. Robert Zemeckis does not uncritically align his film with the winning performance of Tom Hanksโ titular character. Rather, the film asks us what America really is โ both good and bad โ if itโs structured in a manner that allows a simple man to be at its center during the height of the nationโs power.
โI Love You, Manโ (2009)

DIRECTOR: John Hamburg
STARS: Paul Rudd, Jason Segel, Rashida Jones
RATING: R
The โbrom-comโ โ that is, bromantic comedy โ is a sparsely populated subgenre. But it honestly doesnโt really need much more than I Love You, Man. This film goes galaxy brain on genre conventions as Paul Ruddโs Peter Klaven seeks a best friend of the same gender to bolster his heterosexual bona fides ahead of his wedding. His journey to finding a best man in Jason Segelโs free-wheeling Sidney Fife ends up hitting all the beats of a boy-meets-girl story along the way, gleefully subverting heteronormativity and having a blast the entire time.
โPlanes, Trains & Automobilesโ (1987)

DIRECTOR: John Hughes
STARS: Steve Martin, John Candy
RATING: R
Itโs a bit startling how little canonical Thanksgiving cinema there is given how big the holiday is in the United States. Luckily, the most prominent entry is one thatโs worth watching again and again: Planes, Trains & Automobiles. Anyone whoโs ever been on a trip from hell can relate to Steve Martinโs weary businessman just trying to make it home for the holidays, and doubly so if it involves a travel partner as rambunctious as John Candyโs shower curtain ring salesman.
โCatch Me If You Canโ (2002)

DIRECTOR: Steven Spielberg
STARS: Leonardo DiCaprio, Tom Hanks, Christopher Walken
RATING: PG-13
Leonardo DiCaprioโs career has been laser-focused on shedding the โTiger Beatโ teen idol trappings that followed him after Titanic, so much so that he almost never allows himself to have fun on-screen in the name of being taken seriously. But every once in a while, he finds an excuse to cut loose like he does in Catch Me If You Can. Like a mid-century forebearer to todayโs audacious scammers, DiCaprioโs Frank Abagnale Jr. cuts quite a trail of fraud and deception as he cons his way into three different professions with the FBI hot on his trail. Heโs forging checks, breaking hearts, and proving irresistibly watchable.
โThe Lost Cityโ (2022)

DIRECTORS: Aaron and Adam Nee
STARS: Sandra Bullock, Channing Tatum, Daniel Radcliffe
RATING: PG-13
Is The Lost City basically just doing Romancing the Stone โ romance novelist and rugged suitor meet-cute in the jungle โ for a new generation? Sure. But if you donโt need novelty and just want to see the sparks fly between a type A Sandra Bullock heroine and a lovable Channing Tatum himbo, then this is a guaranteed great night in. The Lost City delivers on romance and comedy, with a number of cunning belly laughs that far outshine the familiarity of the script.
โThe Fighterโ (2010)

DIRECTOR: David O. Russell
STARS: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo
RATING: R
Thereโs heavy competition for what best embodies the Seth Meyers parody sketch Boston Accent:The Movie. Might I submit David O. Russellโs The Fighter, which chronicles the saga of boxer Micky โThe Pride of Lowellโ Ward (Mark Wahlberg) and his devoted brother and trainer Dicky (Christian Bale). The local color is just off-the-charts, especially with their coterie of sisters. Youโll never hear the phrase โMTV Girlโ the same after they parse it through their lips.
โShutter Islandโ (2010)

DIRECTOR: Martin Scorsese
STARS: Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley
RATED: R
โWhich would be worse,โ asks Leonardo DiCaprioโs Teddy Daniels, โto live as a monster, or to die as a good man?โ The closing line of Martin Scorseseโs Shutter Island lands with the weight of a ton of bricks because thereโs genuine uncertainty as to what the โrightโ answer to that question is. As Teddy investigates a missing murderer from a remote islandโs asylum, heโs brought into the craziness which he investigates. Did he come to the island crazy? Did the guards gaslight him? Did the island itself work on him? Thereโs likely evidence for any interpretation.
โStar Trekโ (2009)

DIRECTOR: J.J. Abrams
STARS: Chris Pine, Zachary Quinto, Zoe Saldana
RATING: PG-13
Hereโs a Star Trek movie thatโs not purely for the Trekkies. Director J.J. Abrams finds a clever way to reboot the legendary franchise (with a good plot motivation, to boot) so he can reintroduce the characters and themes of the space opera to a new generation of fans. Itโs an exciting, invigorating action movie in its own right, but its real magic is to open a portal to welcome the uninitiated to boldly go back into the wide world of the series.
โRed Eyeโ (2005)

DIRECTOR: Wes Craven
STARS: Cillian Murphy, Rachel McAdams
RATING: R
Wes Craven knows that sometimes the simplest premises are the best. Two perfect strangers played by Cillian Murphy and Rachel McAdams exchange some flirty banter in an airport bar and end up sitting next to each other on the plane โฆ only for him to then admit his involvement in a domestic terror plot at their destination. Red Eye makes terrific use of its claustrophobic setting to create an environment of intense fear and dread.
โRosemaryโs Babyโ (1968)

DIRECTOR: Roman Polanski
STARS: Mia Farrow, John Cassavetes, Ruth Gordon
RATING: Not Rated
And you thought your neighbors were bad! Over fifty years later, Rosemaryโs Baby is still an absolutely terrifying movie to behold as Mia Farrowโs guileless expectant mother gets the sense that thereโs something nefarious growing inside of her. Director Roman Polanski amplifies her sense of impending doom with a visual sense of claustrophobia that makes us feel as trapped as she does. Consider the movie something of a cinematic contraception.
โMinority Reportโ (2002)

DIRECTOR: Steven Spielberg
STARS: Tom Cruise, Colin Farrell, Samantha Morton
RATING: PG-13
Director Steven Spielberg is no stranger to imagining the future, but no vision of what lies ahead is as expertly realized as Minority Report. Some elements of this 2054 are already here, technologically speaking, but weโre still (knock on wood) a long while away from this worldโs approach to criminal justice where three soothsaying โPre-Cogsโ can predict crimes before they occur. Tom Cruiseโs police chief John Anderton has no problem enforcing their visions โฆ that is, until they claim he will murder someone heโs never met within 36 hours. Heโs forced on the run to maintain his innocence for something he hasnโt even done โ a concept as chilling as it is thrilling.
โFace/Offโ (1997)

DIRECTOR: John Woo
STARS: John Travolta, Nicolas Cage, Joan Allen
RATING: R
If a movieโs opening credits feature Nicolas Cage breaking it down to the Hallelujah Chorus in full priest garb, what other signal is necessary that something insane and epic awaits? Face/Off is a โ90s action movie at its most bombastic extreme. From its absurd premise of an FBI agent using face transplant surgery to break up a terrorist plot to its hammy performances by stars Cage and John Travolta, director John Woo dials the adrenaline and the fun up to 11.
โSelmaโ (2014)

DIRECTOR: Ava DuVernay
STARS: David Oyelowo, Carmen Ejogo, Tom Wilkinson
RATING: PG-13
No access to MLKโs speeches, no problem for director Ava DuVernay. Selma is the cure for the contemporary biopic, framing a pivotal moment in the civil rights movement as the result of something more complex than just the cult of personality. It was more than just Dr. King, portrayed in all his heroism and humanity by David Oyelowo, who made it happen. It was a collective, urgent effort mobilized to prompt action from a Johnson administration content to drag its heels on voting rights until the issue proved more politically expedient.
โZoolanderโ (2001)

DIRECTOR: Ben Stiller
STARS: Ben Stiller, Owen Wilson, Will Ferrell
RATING: PG-13
All these years later, and the world still hasnโt found what Zoolander was looking for: if thereโs more to life than being really, really good looking. Ben Stiller outlandish, outstanding parody of the male modeling world is chock full of great quotable lines and inspired comedic set pieces. And yet even if youโve heard the famous dialogue bits ad nauseam, they still get a great laugh when you hear them in the movie again. (Also, keep your eyes peeled for a very young Alexander Skarsgรฅrd in his first role!)
โParanormal Activityโ (2009)

DIRECTOR: Oren Peli
STARS: Katie Featherston, Micah Sloat, Mark Fredrichs
RATING: R
Fun fact: itโs Steven Spielberg you have to thank for the bone-chilling ending of Paranormal Activity. Leave it to the father of contemporary blockbusters to be able to spot the next frontier in horror and play a part in the biggest financial success in movie history. Oren Peli made his DIY horror movie about a couple who set up a camera in their house to try and observe a supernatural spirit haunting them for just $15,000 โฆ and it spawned a nearly-billion dollar franchise. The first installment still stands as a remarkable testament to how to make a big impact with a tiny budget.
โHeaven Can Waitโ (1978)

DIRECTOR: Warren Beatty
STARS: Warren Beatty, Julie Christie, Charles Grodin
RATING: PG
Heaven Can Wait fuses two subgenres, the โbody swapโ comedy and the โnew lease on lifeโ drama, for one satisfying and sincere look at what matters most. This is multi-hyphenate Warren Beatty at the peak of his prowess, pulling quadruple duty as producer, co-writer, co-director, and star (and getting Oscar nominations for EACH). As Joe Pendleton, a Rams quarterback who dies too early, Beatty gets to explore what gives our existence meaning when heโs given a second chance in life โฆ in the body of a recently murdered industrialist. While his first instinct is to train for another shot at gridiron glory, some complicating factors intervene to make him reconsider his priorities.
โAnchorman: The Legend of Ron Burgundyโ (2004)

DIRECTOR: Adam McKay
STARS: Will Ferrell, Christina Applegate, Paul Rudd
RATING: PG-13
Adam McKayโs recent elevation to a perennial Oscars favorite did not just come out of nowhere. He was honing his satirical chops for a full decade before breaking through with The Big Short โฆ the satire was just often so poker-faced that the targets took it at face value. Much of McKayโs โ00s output was a farcical sendup of masculine hubris, and itโs realized best in the riotously funny Anchorman as Ron Burgundy and his Channel 4 colleagues embody some of the worst elements of toxic machismo.
โRevolutionary Roadโ (2008)

DIRECTOR: Sam Mendes
STARS: Leonardo DiCaprio, Kate Winslet, Michael Shannon
RATING: R
WARNING: It is entirely possible that you will go into a multi-day funk after watching Revolutionary Road, the elegiac break-up movie about a mid-century marriage (and perhaps for the unsustainability of the American Dream itself). If you thought Leo and Kateโs hearts would go on after Titanic, you were sorely mistaken as their on-screen reteam is the site of some of the most histrionic screaming and vitriolic fighting ever committed to film. But my, oh my, it is a most profound devastation to experience.
โSaving Private Ryanโ (1998)

DIRECTOR: Steven Spielberg
STARS: Tom Hanks, Matt Damon, Edward Norton
RATING: R
Steven Spielbergโs visceral, immersive take on the D-Day invasion in Saving Private Ryan does not just show you the terror of war. It forces you to live inside of it, so much so that it reportedly triggered PTSD episodes for veterans who survived the landing. The extended battle sequence is an important frame for the film but not the entirety of it. While combatting nations tear the world apart, one squadโs journey to save the last surviving fighter among four brothers serves as a testament to how war summons untold heroism from the unlikeliest of men.
โMean Girlsโ (2004)

DIRECTOR: Mark Waters
STARS: Lindsay Lohan, Rachel McAdams, Tina Fey
RATING: PG-13
How many times can you watch the millennial high school movie classic Mean Girls without getting tired of it? To quote just one of the manifold lines itโs gifted to the popular vernacular, the limit does not exist! This boundlessly funny comedy captures the early-aughts with devastating accuracy while also tapping into something timeless about the clique mentality that defines adolescence in any era. Good luck getting anything this good for your cohort, Gen Z!
โThere Will Be Bloodโ (2007)

DIRECTOR: Paul Thomas Anderson
STARS: Daniel Day-Lewis, Paul Dano
RATING: R
There Will Be Blood may well be the closest equivalent that the movies produce to the โGreat American Novel.โ Director Paul Thomas Anderson riffs on a classical Upton Sinclair text to pinpoint the endemic rapaciousness within the American psyche and how it plagues enterprise in the country still today. It also helps that he enlisted the great Daniel Day-Lewis to play his protagonist, ruthless oil baron Daniel Plainview, and punctuate PTAโs thoughts with an emphatic exclamation point. Their collaboration is a staggering work that looms large over 21st-century cinema.
โPaper Moonโ (1973)

DIRECTOR: Peter Bogdanovich
STARS: Ryan OโNeal, Tatum OโNeal, Madeline Kahn
RATING: PG
Fans of schemers and swindlers on-screen owe it to themselves to watch Paper Moon. This comedy set in Depression-era America embeds us in the grift of two-bit hustler Moze Pray and pint-sized Addie Loggins, a young girl who may or may not be his daughter. The charms of real-life father and child Ryan and Tatum OโNeal are formidable here, and their sweetness provides a powerful countercurrent to the sourness of their scamming characters.
โMission: Impossible โ Ghost Protocolโ (2011)

DIRECTOR: Brad Bird
STARS: Tom Cruise, Jeremy Renner, Paula Patton
RATING: PG-13
There are cases to be made for just about any of the Mission: Impossible movies being the best, but Iโm here to settle this once and for all: itโs 2011โs Ghost Protocol. Director Brad Bird, best known for his work with Pixar, brings a real ingenuity to the action sequences that stems from working in the limitlessly imaginative realm of animation. Even on the smallest screen, the visual of Tom Cruiseโs Ethan Hunt scaling the Burj Khalifa in Dubai is breathtaking.
โA.I.: Artificial Intelligenceโ (2001)

DIRECTOR: Steven Spielberg
STARS: Haley Joel Osment, Jude Law, Frances OโConnor
RATING: PG-13
Twenty years ago, A.I. was too cheery for fans of Stanley Kubrick, the legendary director who originated this sci-fi story about a robotic boy programmed to love. At the same time, it was a little too dour for fans of Steven Spielberg, the famous crowd-pleasing director who helped push the film across the finish line. (Ironically, it was Spielberg who pulled the film in darker directions!) This is a film ripe for rediscovery and reappraisal as it probes the mysteries of emotion and authenticity in a robotic age. Spielberg strikes an appropriate balance of sentimental and skeptical.
โZodiacโ (2007)

DIRECTOR: David Fincher
STARS: Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr.
RATING: R
Director David Fincher is known for his exacting on-set technique, often requiring over 100 takes of a shot before moving on. So is it any wonder that the movie that now seems to define his legacy is Zodiac, among the most precise and meticulous procedurals ever made? Itโs a captivating, visually arresting journey to watch police and journalists alike attempt to close in on the notorious Zodiac Killer that tormented the Bay Area in the โ60s and โ70s. Given that the case remains unsolved, their laborious efforts might not amount to much โ but no one could say the same for Fincherโs film.
โRaiders of the Lost Arkโ (1981)

DIRECTOR: Steven Spielberg
STARS: Harrison Ford, Karen Allen, Paul Freeman
RATING: PG
Nothing says adventure quite like the legendary team-up of director Steven Spielberg and writer George Lucas channeling the swashbuckling serials of their youth. The globetrotting escapades of Harrison Fordโs Indiana Jones never lose their luster โ not even Kingdom of the Crystal Skull can change that! Nothing beats the original Raiders of the Lost Ark, though. It still possesses that little hint of magic that renders you back to seeing the world as you did in your formative years.
โA Quiet Placeโ (2018)

DIRECTOR: John Krasinski
STARS: Emily Blunt, John Krasinski, Millicent Simmonds
RATING: PG-13
Remove all distractions, turn off the lights, unwrap your candies โฆ do whatever it takes to recreate the quiet, cavernous environment of a movie theater. The more silent you can make it, the better to watch A Quiet Place. This thrilling monster movie set in a dystopian future where lurking aliens slaughter anything they can hear makes every move fraught with peril. John Krasinski, stepping behind the camera, knows how to orchestrate terrifying tension to an almost unbearable degree.
โAlmost Famousโ (2000)

DIRECTOR: Cameron Crowe
STARS: Billy Crudup, Kate Hudson, Frances McDormand
RATING: R
Itโs all happening. Almost Famous, Cameron Croweโs autobiographical tale of a young music journalist swept up into the fast-paced world of rock, is still every bit as magical twenty years after its release. Croweโs openly sentimental, uncynical filmmaking style makes this coming-of-age story easy to get absorbed in because we get to feel all the emotions of experiencing freedom for the first time once again. This is the magic of movies incarnate.
โMichael Claytonโ (2007)

DIRECTOR: Tony Gilroy
STARS: George Clooney, Tilda Swinton, Tom Wilkinson
RATING: R
There are few movies that move with the efficiency of Michael Clayton. Tony Gilroyโs legal thriller is void of any fat; not a scene is unnecessary nor a shot out of place. But this precision instrument is not just a technical marvel, either. This twisted tale of how George Clooneyโs titular corporate fixer gets in the crosshairs of a dubious class action lawsuit makes for a thoughtful treatise on the limits of morality in the world of business.
โTitanicโ (1997)

DIRECTOR: James Cameron
STARS: Leonardo DiCaprio, Kate Winslet, Gloria Stuart
RATING: PG-13
Say what you will about the length and bombast of Titanic, but sometimes we all just want to settle in with a movie that dares to dream big. James Cameron delivers all that and more in his swooning star-crossed romance set aboard the ill-fated ocean liner. (Leo could have fit on the door, and I will die on this hill.) Like the Cรฉline Dion song powering the over-three-hour journey, Titanic is corny but admirably crazy enough to sincerely believe in the grandiosity of its concept.
โThe Godfatherโ (1972)

DIRECTOR: Robert Eggers
STARS: Robert Pattinson, Willem Dafoe
RATING: R
Putting two men alone together on a remote island to tend to a lighthouse is a recipe for chaos under even the best of circumstances. When those two men are Willem Dafoeโs Thomas Wake, a crank whoโs a jealous guardian of the light, and Robert Pattinsonโs Ephraim Winslow, a covetous young go-getter with daddy issues and a big secret, itโs magnificently mysterious madness. Spanning the gamut from horrifying to suspenseful to hilarious and even a bit horny, Robert Eggersโ The Lighthouse outshines the garden-variety claustrophobic thriller. This wet, wild mystery box is a raucous ride exploring everything from masculinity to mermaids.
โTop Gun: Maverickโ (2022)

DIRECTOR: Joseph Kosinski
STARS: Tom Cruise, Miles Teller, Jennifer Connelly, Glen Powell
RATING: PG-13
Tom Cruise once again proved his bona fides as perhaps our last real movie star in Top Gun: Maverick. With his daredevil spirit and cocksure attitude, he swaggers across the screen with a boldness that feels sorely missing from todayโs cinema. Cruise knows exactly what his audience wants from a retread of his โ80s action-adventure classic, and he gives it to us with precision, poise, and pizzaz.